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Big cameras and big rivalries take center stage at Photokina

Photokina is underway in London and the theme of the present is “giant.” Unusually for an business that’s trending in direction of the compact, the cameras on stage at this present sport huge sensors, huge lenses, and large value tags. However although they will not be for the typical shooter, these cameras are spectacular items of that trace at issues to return for the business as an entire.

Essentially the most thrilling announcement is probably that from Panasonic, which shocked everybody with the S1 and S1R, a pair of not-quite-final full body cameras that purpose to steal a little bit of the thunder from Canon and Nikon’s entries into the mirrorless full body world.

Panasonic’s cameras have usually had spectacular video efficiency, and these are not any exception. They’ll shoot 4K at 60 FPS, which in a compact physique like that proven goes to be extraordinarily helpful to videographers. In the meantime the S1R, with 47 megapixels to the S1’s 24, shall be optimized for stills. Each could have twin card slots (which Canon and Nikon declined so as to add to their latest gear), climate sealing, and in-body picture stabilization.

The timing and inclusion of so many desired options signifies both that Panasonic was clued in to what photographers wished all alongside, or they waited for the opposite guys to maneuver after which promised the issues their rivals wouldn’t or couldn’t. Regardless of the case, the S1 and S1R are certain to make a splash, no matter their costs.

Panasonic was additionally a part of an announcement that will have bigger long-term implications: a lens mount collaboration with Leica and Sigma geared toward most flexibility for the rising mirrorless full-frame and medium format market. L-mount lenses will work on any of the group’s gadgets (together with the S1 and S1R) and will assist promote utilization throughout the board.

Leica, for its half, introduced the S3, a brand new model of its medium format S collection that switches over to the L-mount system in addition to bumping just a few specs. No value but but when you need to ask, you most likely can’t afford it.

Sigma had no digital camera to point out, however introduced it will be taking its Foveon sensor tech to full body and that upcoming our bodies can be utilizing the L mount as properly.

This Fuji appears small right here, however it’s no light-weight. It’s solely small compared to earlier medium format cameras.

Fujifilm made its personal push on the medium format entrance with the brand new GFX 50R, which sticks a bigger than full body (however smaller than “conventional” medium format) sensor inside an impressively small physique. That’s to not say it’s insubstantial: Fuji’s cameras are usually fairly hefty, and the 50R isn’t any exception, however it’s a lot smaller and lighter than its predecessor and, surprisingly, prices $2,000 much less at $four,499 for the physique.

The theme, as you possibly can see, is huge and costly. However the subtext is that these cameras should not solely able to extraordinary imagery, however they don’t need to be huge to do it. This mixture of versatility with portability is among the strengths of the most recent technology of cameras, and clearly Fuji, Panasonic and Leica are keen to point out that it extends to the pro-level, multi-thousand greenback our bodies in addition to the buyer and fanatic lineup.

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